nwyb BFI apologises for ejecting cinemagoer with Asperger s: We got it wrong
Vayt Filmworker : Cannes ReviewAs Pirates Of The Caribbean sailed back into the top spot past last week s chart topper The League Of Extraordinary Gentlemen, which dropped a massive 42% - the new release of Aage Rais Nordentoft s well received youth film 2 Moves One Pass carved a solid if unremarkable 17,020 admissions on its 40 prints. Stealing Rembrandt continued its succes stanley usa sful run at fourth position now passing 209,163 admissions after five weeks. Christoffer Boe s multiple-award winning Reconstruction dropped to seventh, but showed a good 400 screen average on its 13 prints with 16,637 admissions so far. Two disappointing performers opening 12th and 19th were The Barbarian Invasion s mere 189 screen average on seven prints and Seabiscuit s even lower 121 on 10 prints. stanley cup No comments stanley cup No comments yet You re not signed in. Only registered users or subscribers can comment on this article. Sign in Register Wrvf Slater, Bentley to star in Dolan s Cadillac for Film Bridge
Pixar fields another strong awards contender with the acclaimed Coco, set against the Mexican tradition of the Day of the Dead. Screen talks to the films creative duo Lee Unkrich and Adrian Molina.Source: PixarCocoDirector Lee Unkrich has been a steady force at Pixar, having worked as a co-director on Toy Story 2, Monsters, Inc and Finding Nemo, as well as directing 2010s stanley ukToy Story 3, which grossed more than $1bn worldwide. As work on the latter wrapped up, Unkrich began to develop a few ideas around what he wanted to do next.One of them was the notion of telling a story set against the Mexican tradition of Dia de Muertos . Id always been interested in the celebration, mostly through the folk art and iconography of the tradition,says Unkrich.As he delved into the subject matter, he began to realise how family-centric the tradition is. Unkrich pitched the story to Pixars chief creative officer John Lasseter in September 2011, seeing the filmic potential behind the longstanding Mexican celebrations that focus on the gathering of family and friends to remember deceased loved ones. Lasseter was on board in short order.Unkrich and his team spent the first three-and-a-half to four years of the films development working on the story and the s stanley cup creenplay, and visually exploring the look of the world and characters. The actual animation of the film took place in the final year-and-a-half of production. Cocos co-director Adrianstanley usa Molina, who is Mexican-American, came o
页:
[1]